Revisiting Victorine

Way back in January of 2012 I decided to start the gorgeous Victorine Delacroix sampler from The Essamplaire.  A friend and I conspired and bought kits for this piece during a sale and decided to splurge on getting the silk kit rather than the DMC.  Soooo happy I did.

The photo above shows my progress on Victorine as of the last time I worked on her, which was quite some time ago.  Here is a not so flattering photo of the original from The Essamplaire’s site.

Admittedly, it is a little harder to fall in love with her based on this photo.  But she is a stunner in person.  So, back in January of this year I was having the hardest time settling on anything I really wanted to stitch on so I decided to dig some options out of the vault.  Victorine was calling to me, so I pulled her out and started on the motif to the right of that basket of flowers.  I so love the contrast of those pistachio and lime greens against the drab colored flowers.

I only worked on her for a couple of nights, but it was enough to rekindle my love affair with her.  It was also enough for me to start and finish that motif including the over one heart and initials in the center.

So pretty.  I’m stitching her on the 40ct linen that came in the kit and the silks are AVAS.  Luscious.

I am looking forward to that satin stitched ribbon-looking inner border and the navy baskets of flowers down below.

There are some beautiful photos of a Victorine in progress over at Corgi Cottage, if you need further enabling.

I am grateful for sampler stitching when I’m feeling unsettled.  

Flosstube Episode 28: La Cosa Nostra

Flosstube Episode 28: La Cosa Nostra Part 1

Thank you so much for tuning in to the Cozyegg flosstube/podcast! In this episode I share my Stitch Maynia week 1 vlog.
And here’s part 2!

Flosstube Episode 28: La Cosa Nostra Part 2

Show notes:

Week 1 of Stitch Maynia vlog:

  • Days 1 & 2 : New start Merry Wind Farm Hornbook freebie (Tudor Rose Sampler Guild SAL) – SNC Elephant & Castle on 40ct Weeks Tin Roof linen
  • Days 3 & 4: La Marquoir de Justine by Anne Pelletier Pauleau – Year of WIPs Challenge piece – my own conversion to AVAS, Gloriana, and Caron Soie Cristale on 40ct HDF linen coffee antiqued (started 2014)
  • Day 5: Colonial Garden by Plum Street Samplers – Year of WIPs Challenge piece – NPI on 40ct Lakeside Black Forest
  • Days 6 & 7: New start Mouline Rouge by Long Dog Samplers – Gloriana Poinsettia on 40ct Zweigart Antique White linen – bucket list piece

Haunted Dollhouse – here is my inspiration The Bloggess’s dollhouse and here’s a link to my Pinterest board

Here is a link to Spinster Stitcher’s blog and to the donation page.

I also mentioned Running Stitch’s flosstube video on Maynia and new starts.

Thanks so much for watching!

I am grateful for new starts and new projects.

Flosstube Episode 17: Return of the Zebra Beagle

Flosstube Episode 17: Return of the Zebra Beagle

Thank you so much for tuning in to the Cozyegg flosstube/podcast!  In this episode I share some framed pieces, the start of the Village of Hawk Run Hollow SAL, and some birthday gifts.

Show notes:

Framing (No Finishes):

  1. Sugar Skull Version 5 by Kristy Kizzee (Bombastitch) on etsy stitched on 40ct Weeks Cocoa with DMC.  Finished in October 2012.  Blog post here.
  2. Garden of Eerie by Plum Street Samplers stitched on 36ct Meadow Rue (not Light Examplar like I said in the video) with DMC.  Finished in October 2011.  Blog post here.
  3. 1854 Isabella Johnstone Sampler by Needlework Press (originally in SANQ Summer 2010) stitched on 40ct Vintage Lentil with Belle Soie silks.  Finished in August 2012.  Blog post here.

WIPs:

  1. Anniversaries of the Heart by Blackbird Designs – I’m currently on the July block called Swan Lake; stitched on 40ct Vintage Examplar by Lakeside Linens with the called for GAST and Crescent Colors threads
  2. Black’d Skie by Primitive Needle – 40ct Vintage Pear by Lakeside Linen and the called for Pure Palette baroque silks and SNC silks
  3. Village of Hawk Run Hollow by Carriage House Samplings – 36ct Vintage Light Examplar with DMC.  SAL with Abi Bellastitch and others on Instagram #hrhvillagesal and in the Cross Stitch Finish Line group on Facebook.  Started September 1 and aiming for a block a month.

Stash Enhancement:

  1. Sewing kit out of Tula Pink Saltwater made by my friend, Mary from the pattern My Hexie Friend by @sewknotcrochet on Craftsy
  2. Peaceful Paradise by Midsummer Night Designs chart

Flosstube Shoutouts:

  1. Tracy P

Reading:

  1. Finished Shiver by Maggie Stiefvater
  2. Currently reading The Raven Boys by Maggie Stiefvater

Thanks so much for watching.  You can subscribe to my YouTube channel and you can also sign up for my newsletter to get an email notification of new posts.

Find me on Ravelry: cozyegg

I’m also on Instagram, Twitter, Pinterest, and Flickr as cozyegg.

I’m grateful for all the sweet comments and notes from those that reached out to me after my last video.

Justine

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Today I wanted to share a stitch along I started back in February with my friend, Sylvia.  We wanted to choose something to start while we were in Paris as a remembrance of our trip.  After looking at a few options, we decided to go with Le Marquoir de Justine.  Sylvia had some lovely 40ct HDF linen that she aged for us.  The chart calls for NPIs, but I decided to do my own conversion, using some overdyes, but I of course wanted to use silk.  Sylvia converted hers to HDF silks and you can see my floss toss above using a combination of AVAS, Gloriana, and Soie Cristale.  
We took our first stitches on the first night in our little rented apartment in Paris, although I have to admit that most nights I had just enough energy to fall into bed.  We did, however, have some time to stitch on the train back to Germany from Paris.  And yes, I was even attempting to put my hoop to good use!
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In Germany we were able to spend a bit more time with Justine.  Here’s a look at our progress.  
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And, as coincidence would have it, if we positioned our two samplers together they completed that entire left border!  Too funny.  

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Of course, our time together came to an end and I’ve been working a bit here and there on Justine.  You can see of course that no two photos of this fabric look the same.  The top two photos are the most accurate.  I also treated myself to some Eiffel Tower scissors from Sajou while we were in Paris.  How could I not?
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And lest you think I have given up matching my nail polish to my stitching…
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And yes, you’re not seeing things, I originally stitched the word “agée” in red, but then ripped it out and restitched it in the pale yellow.  What I’ve found is that the chart I have is not the most accurate.  So, there have been a few spots where I’ve gone by the photo rather than how it’s charted.  But, she is a beautiful sampler and I absolutely adore stitching on her.  I’ve gotten a bit more done since this last photo, so I’ll have to post an updated progress photo soon.  

If you’re wondering what the entire sampler looks like, please take a look.  She really is a beauty!

I am grateful for adventures with my PIC.

John Reed

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I barely know where to begin.  I’m so happy to finally be posting photos of this finish, but at the same time it’s a little bittersweet.  You may remember that I lost my dad last year, February of 2012.  And there have been a couple of pieces stitched in his honor, one by my sweet friends and one by me.  In fact I haven’t touched my Anniversaries of the Heart since completing his block.  But this piece, this sampler, is his memorial. 
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A while back I stumbled across the chart for the John Reed 1844 sampler by Forget-Me-Nots in Stitches.  And when I saw it I knew that one day I would have to stitch this sampler, because my dad was John Reed as well, but born in 1944.  It took me awhile to get my hands on the chart but I finally found a shop that could order it for me.  At the time I figured this would be one of those things I’d stitch and then show my dad and he’d launch into one of his genealogy stories, but be secretly thrilled that I’d stitched something for him.  Unfortunately, I never got the chance. 
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Last year on his birthday, even though I was sitting in a hotel room in Wichita, Kansas after a long day of meetings, I started his sampler.  I’d ordered the Au Ver A Soie silks that the chart called for and had tried a dozen different fabrics before finally deciding on 40 count Confederate Grey.  It seemed fitting.  And there was no way I was going to stitch this on the ivory or cream fabric that the chart called for.  It needed something richer, something to make the colors pop, something unique. 
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The house itself did bring about its own set of challenges.  The chart called for GAST Adobe for the house, but since it was the only variegated thread in the piece, I did want to go with silk if possible.  My friend Laurie graciously offered to take my skein of Adobe with her and choose a couple of options for a similar silk thread.  Out of the two she brought me I ended up using Gloriana Pecan.  And it really is almost identical to the Adobe.  
The other issue I ran into on the house was the color for the roof.  The chart called for an AVAS that is essentially “seafoam green”.  Not at all what I wanted as a roof.  Of course I scoured the internet hoping for a better photo of this sampler than what is on the chart, but try as I might the only photos that come up of this sampler that aren’t the chart cover are mine.  And that wasn’t going to help me.  I tried skein after skein of different silks but nothing worked.  Finally I pulled the DMC conversion listed in the chart and tried that.  (the DMC called for was not at all seafoam green but more of a greenish grey).  Unfortunately, with the color fabric I chose, that color wasn’t going to work.  So, I went about three shades darker.  And suddenly, I had a roof!
The final fork in the road I ran into was for the windows of the house.  When I looked at the blue chosen for the windows my only thought was no way.  I tried a lighter blue, I tried a pale yellow, I thought about leaving them empty.  But, when I finally got the motifs stitched on either side of the house I realized that there was no blue anywhere in the bottom of the sampler.  John must have known what he was doing, because it really did need that blue to balance everything out.  But, I stitched the windows in tent stitch to lighten it up a tad.  I’m really happy how it turned out. 
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When I started this piece I, of course, knew that I wanted to personalize it for my dad.  The designer had done her own personalization on her reproduction of the antique, but in the chart mentions that the original said “John Reed, Brendan, Aged 14, 1844.”  So, my own personalization has my dad’s name, the year he was born, and the city he was born in.  
I look forward to framing it, and showing it to my mom.  She hasn’t seen it in all the time I’ve been stitching on it.  As I mentioned, I started it in June of last year on his birthday and it’s been pretty much the only thing I’ve stitched on this year.  I put the last stitches in on September 26.  I will miss stitching on this piece, it has been a good way to work through my grief and to remember him with every stitch.  I hope that more people will stitch this sampler, I think it would be nice to know there are more John Reeds out in the world. 
I am grateful for a legacy.